{"id":1720,"date":"2026-06-14T00:01:13","date_gmt":"2026-06-13T22:01:13","guid":{"rendered":"https:\/\/kende.design\/?post_type=product&p=1720"},"modified":"2026-10-04T19:43:08","modified_gmt":"2026-10-04T17:43:08","slug":"untitled-for-anna","status":"publish","type":"product","link":"https:\/\/kende.design\/en\/prodotto\/untitled-for-anna\/","title":{"rendered":"Untitled for Anna"},"content":{"rendered":"

Untitled for Anna<\/em> It is a surface of memory: a light-coloured expanse, almost worn away by time, where urban calligraphy emerges like a trace left on the wall after years of light, dust and erasure. The marks converge at the centre in a dense, instinctive movement, then disperse towards the edges in lighter strokes, like words on the verge of disappearing.<\/p>\n

The work exists in the balance between presence and dissolution. The lines are not meant to be read, but felt: they become rhythm, layering, the echo of a passing moment. Muted tones, glazes, scratches and traces of colour create a quiet urban melancholy, transforming the act of graffiti into a more fragile, elegant and silent form.<\/p>\n

Untitled for Anna: technique and material<\/h2>\n

\"Untitled for Anna\" is created on a wooden panel measuring 200 \u00d7 150 cm and 10 cm thick: a solid surface that supports the hand without giving way. The mixed-media technique works by subtraction \u2014 layers of ground are applied and then removed, with glazes and scratches bringing the underlying layers to the surface. Each step leaves a trace, and the result is a surface that appears to have aged on the wall rather than having been painted in the studio.<\/p>\n

\"Dettaglio<\/p>\n

From graffiti to the \u2018dissolvism\u2019 movement<\/h3>\n

The style draws on European graffiti and retains its speed, but here the word dissolves: urban calligraphy becomes pure rhythm, closer to \u2018calligraffiti\u2019 than to a signature. It is the direction I call \u2018dissolvism\u2019 \u2014 the gesture that dissolves as it is written, and it is precisely by dissolving that it becomes an image. I have written more about this research on my page<\/a> and in the recent projects<\/a>.<\/p>\n

L\u2019originale di Untitled for Anna \u00e8 disponibile. Sono disponibili anche le limited-edition fine art prints<\/a>, signed and accompanied by a certificate of authenticity. You can picture the artwork hanging on your wall with Your room<\/a>, or write me for a commissioned work<\/a> in the same format.<\/p>\n

TITLE:<\/b> Untitled for Anna<\/em>
\n<\/span>YEAR:<\/b><\/span> 2024
\n<\/span>TECHNIQUE:<\/b><\/span> Mixed media on wood
\n<\/span>WIDTH:<\/b><\/span> 200 cm
\n<\/span>HEIGHT:<\/b><\/span> 150 cm
\n<\/span>THICKNESS:<\/b><\/span> 10 centimetres
\n<\/span>CATALOGUE:<\/b><\/span> UFA24
\n<\/span>ORIGINAL:<\/b><\/span> Available
\n<\/span>PRINTS:<\/b><\/span> Available<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Untitled for Anna \u00e8 una superficie di memoria: un campo chiaro, quasi consumato dal tempo, dove la calligrafia urbana affiora come una traccia rimasta sul muro dopo anni di luce, polvere e cancellature. I segni si raccolgono al centro in un movimento fitto e istintivo, poi si disperdono verso i bordi in gesti pi\u00f9 leggeri, […]<\/p>\n","protected":false},"featured_media":2039,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[35],"product_tag":[],"class_list":["post-1720","product","type-product","status-publish","has-post-thumbnail","product_cat-artworks","first","instock","sold-individually","shipping-taxable","product-type-external"],"acf":{"seconda_immagine":2848,"venduto":false,"video_opera":2556,"video_verticale":2564,"render_1":1719,"render_2":2557,"render_3":2558},"yoast_head":"\nUntitled for Anna | Calligraffiti su legno, opera originale<\/title>\n<meta name=\"description\" content=\"Untitled for Anna: opera originale di Kende, tecnica mista su legno 200\u00d7150 cm. Calligrafia urbana in dissolvenza. 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